Top 3 Takeaways: Burgundy’s HdB 2014

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by L.M. Archer, FWS

Attention Burgundy Lovers!

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Hospices-de-Beaune-auction-10004678

 

Top 3 Takeaways: 2014 Hospices de Beaune | Burgundy

The highlight for any Burgundy lover, 2014 marked the 154th annual Hospices de Beaune auction, celebrated every third Sunday in November.

Named for Beaune’s charitable hospital founded in 1443 by Nicolas Rolin, Chancellor to the Duke of Bourgogne Philip the Good, the auction features wines from Domaine de Hospices de Beaune, an assemblage of vineyards bequeathed by prestigious patrons over the centuries. Proceeds from the auction fund the charity.

binNotes’ top three (3) take-aways from the 154th Hospice de Beaune auction:

 

Hospices de Beaune 2014

1. Record-Breaking

This year, Domaine des Hospices de Beaune sales reached € 8,082,525, breaking earlier records of €6.3 million euros set in 2013. The 2014 figures reflect 417 barrels of red wine and 117 of white wine.
NOTE:  Burgundy accounts for just 0.4%  in wine sales globally. What do these astronomical 2014 auction sales mean for the future of one of the world’s smallest wine regions? Only time will tell.

Ludivine Griveau

2. History-Making

Domaine des Hospices de Beaune named Ludivine Griveau its first woman winemaker. Griveau, former principal winemaker at  Maison Corton­ André, takes the reigns from Roland Masse, Hospices de Beaune wine maker for 15 years, who retires this year.

NOTE:  Hats off to Hospices de Beaune for this history-making move.

Hubert de Montille

3. Leave-Taking

While Burgundy’s 154th Hospices de Beaune auction rolled on, Burgundy’s wine community mourned the loss of legendary vigneron Hubert de Montille, made famous in the movie Mondovino, who died on November 1st.

Hubert de Montille died in style – eating lunch with family and friends over a glass of 1999 Pommard Rugiens. Irrepressible, irascible, uncompromising, Hubert de Montille built on his family’s legacy through determination, pragmatism, and a quest for the sublime.

NOTE: In late 2013, binNotes attended a wine-tasting dinner featuring Peter Wasserman, who regaled us with stories of his family’s cherished friend, M. de Montille.

binNotes leaves you with Peter Wasserman’s tribute to the man – may we all live, and die, so well.

Hubert De Montille,
“He was my father’s best friend. Hubert was for lack of a better word one if the greatest men i have had the honor to know. From the earliest memories of being at table with “les grands” the adults, Hubert was the one who taught me how to appreciate good food an great wine. Where as one could butt heads with one parent or another one could not deny Hubert. It was unthinkable. He would have us taste everything we drank, describe it, and if the description was not correct we would have to go back at it until the master was satisfied. He made sure to let us know that it would be a long apprenticeship. He once told me that i would not know how to taste properly until i was at least forty, and Aubert De Villaine to add: and then you will realize you know nothing. Truth be told they were both correct. Hubert was a powerful influence in my life. I will remember the great man till the day I die. He was and will remain one of the great men of Burgundy.” -Peter Wasserman

Santé!

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Care to share? Leave your comment below – and thanks for stopping by.

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Copyrighted 2012-2014. All rights reserved.  

Images courtesy: wine-searcher.com |Hospices de Beaune |  Decanter.com | Mondovino.com

American Wine Story

 Welcome to binNotes | a wine blog

Like wine? Like compelling stories about wine? You’ve landed on the right page!

by L.M. Archer, FWS

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Looking for a movie about real heroes that also leaves you hankering for a great glass of wine?

Well, it’s here!

Image: Courtesy American Wine Story

This weekend, binNotes received an invite to the pre-screening  of American Wine Story  – available October 14th worldwide on iTunes and On Demand.

Powerful, poignant, and deeply personal, American Wine Story intertwines the legacy of Willamette Valley legend Jimi Brooks of Brooks Winery with other tales of a few far-flung American wine makers, chronicling leaps of faith from secure careers to follow dreams and pursue a common passion – wine.

Watch it here.

Care to share? Leave your comments below.

Cheers!

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Thank you:

Alisha Lumea – Polished Brands

Copyrighted 2012-2014. All rights reserved. |  Image courtesy: Willamette Wines

Pinot with Passion: Wooing Tree Vineyard | Central Otago, NZ

Welcome to binNotes: Meet the Winemaker

Like wine? Like compelling stories about wine? You’ve landed on the right page!

Today’s Exclusive:  Wooing Tree Vineyard |  Central Otago, NZ

by L.M. Archer, FWS

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It all started with the tree. The Wooing Tree. A rendevous spot for most of Central Otago’s ‘wooing’ couples. Fertile ground indeed, and the eventual site for award-winning Wooing Tree Vineyard, known for their ‘Pinot with Passion.’

binNotes first tasted Wooing Tree wines at The International Pinot Noir Celebration 2014, where owner Steve Farquarson held court over our Friday luncheon table. His wines poured out their sun-kissed brilliance with supple, food-friendly, red-fruited ease.

Pinot enthusiasts may recognize New Zealand’s Central Otago wine region for its annual  Central Otago Pinot Noir Celebration, an event set against a stunning, craggy-mountained backdrop which features live music, epic cuisine, and world-class pinot. Known as ‘Vineyards on the Edge’, Central Otago grows pinot in the southern-most region of the world.

The story of Wooing Tree Vineyard centers around two couples who share passion, pluck, and some amazing luck to create one of Central Otago’s most well-recognized wineries.

So grab a glass of wine,  get cozy, and listen up as binNotes talks terroir with Steve Farquarson of Wooing Tree Vineyard:

b/N: Who or what brought you and your family to the world of wine?

SF: My wife Thea and I were working in IT in the UK and wanted to come back to New Zealand (home), but` didn’t really want to go back to an office job in the city. We really wanted to shift back to Central Otago for the outdoors lifestyle and were looking at setting up or buying a business down there, at this stage a vineyard was not part of the idea. We were talking to my sister and brother-in-law Jane and Geoff Bews and found out they were thinking about something similar, so we decided to pool our resources. We discovered quite a few vineyards were being setup in Central and very quickly we were thinking about doing this ourselves. So in 2001 we had the idea, later on in the year we were buying and setting up the vineyard which was planted in 2002. We stayed living in the UK and set it up remotely and shifted back for our first harvest 2005. Since then we have been hands on running a winery business with a very steep learning curve.   

b/N: Tell readers a bit about the history of Wooing Tree Vineyard  - what makes it so unique?

When we bought the land it had been unused for 100 years, before the grapes were planted, a number of trees needed to be felled and cleared, and unbeknown to us, one of these trees had quite a history.  The ancient tree commanded a place in local lore as a lovers’ rendezvous, and therefore had been given the name of the ‘Wooing Tree’. If only it could talk, it would have many a story to tell! Of course, the Wooing Tree was saved and the problem of coming up with a vineyard and wine label name was also solved. Today, the Wooing Tree is a popular place for weddings and marriage proposals and now sits prominently in the middle of the vineyard.

New Zealand’s Central Otago wine region has been called  “Vineyards on the Edge.” It’s the southern-most wine region in the world, and though it’s on the same 45th parallel as Bordeaux, the climate favors Burgundy’s pinot noir.

b/N:  What brought you to this wine region in general, and the production of Pinot Noir in particular?

SF:  We were part of a ‘second wave’ of producers in Central Otago so when we were looking at what variety to plant we had the luxury of the hard work the pioneers had put in finding out what grew best in the region.  It was clear Pinot Noir liked the climate in Central Otago, other varieties such as the Bordeaux ones had been tried, but just could not ripen. We have a continental climate with a short but hot summer and cold nights. The hot days and cool nights make it perfect for Pinot Noir to ripen up slowly, whilst building up the fruit flavours but still retaining the great acidity. We also have long day light hours, high UV light and very dry weather, and this all leads to a good hang time and no rush to bring in fruit. With the lack of rain we get to pick the fruit at the optimum time for flavours.

b/N:  Wooing Tree sits on a flat area within a wine region known for its high elevations. Central Otago also features wind-blown loess, yet your site features more sand and gravel. Talk a little bit about the terroir of Wooing Tree in particular that imparts its unique flavor profiles.

SF:  Our soils are very similar to the rest of the Cromwell basin, they are very light windblown loess and sand over a very free draining gravel base. About 70% of the Central Otago fruit is grown in the Cromwell Basin on similar soils. These soils give us great control in the vineyard in terms of irrigation; just enough to keep the vines going and if it does rain it disappears pretty quickly. It is true we are on a flat vineyard, when we were looking for land we were looking for a north facing slope, unlike many other vineyard areas in the world needing a slope for sun exposure, in Central Otago, the slope was desirable for frost protection. Having a flat vineyard we had to put in a frost protection system in from day one, we use aspersion (water) to protect the vines. In the time we have been here it has been discovered that even a slope doesn’t not always protect the vines in some frost events, hence a lot more frost protection systems going in the last few years. Wooing Tree is situated in the heart of Central Otago, giving it a good mix of the sub regions micro climates and making it one of the first vineyards to harvest, I feel this gives us plenty of time to ripen the fruit and as you say it is “vineyards on the edge” and the edge is often the season change. 

b/N:  Wooing Tree’s tagline is ‘Pinot with Passion.’ Do you have a favorite varietal  among those that you grow, and/or a particular Wooing Tree wine that you’re most passionate about?

SF:  Most of our grapes are Pinot Noir, so this is what we are most passionate about, we make three tiers for Pinot Noir, the Wooing Tree Sandstorm Reserve, Wooing Tree Pinot Noir and the Wooing Tree Beetle Juice, we also make a still white wine called Blondie and dry rosé from Pinot Noir and recently we have introduced a sweet rosé also made from Pinot Noir called Tickled Pink. We do specialize in Pinot Noir, but we do produce a couple of whites,  a Pinot Gris and a Chardonnay, these were primarily produced for the cellar door, but we are noticing a increased demand for Chardonnay, which is great news as we do love our Chardonnay.

b/N:  Tell readers a little about your team of wine makers.

SF:  We have been lucky to have two great winemakers make our wine, Carol Bunn made our wine up until 2009 and now we have the services of Peter Bartle. They are fantastic to work with and have won some great accolades for us over the years. The first vintage in 2005 resulted in a stunning pinot noir, which won the Open Red Wine Trophy at the Air NZ Wine Awards. Consequently Wooing Tree has gathered a truly remarkable following, collecting 8 trophies, many gold medals, a whole host of 5 stars, and praise from wine writers and wine lovers around the world.

b/N:  You practice Old World Burgundy traditions such as hand-harvest and low yields  Do you espouse ‘minimal intervention’ in production as well?

SF:  Yes the winemaking is very hands off as well, the winemakers are always saying they let the vineyard do the work, but of course we know that is not entirely true and they do put their special talents to work crafting the best wine from the grapes they get.

b/N:  What are your greatest challenges at Wooing Tree Vineyard? 

SF:  Frost certainly is a problem we can have many frost fighting nights from bud burst right up to harvest. Birds are another problem in the vineyard, we have to net the vines otherwise there would be no grapes left to pick. We are very lucky to have minimal rain and low humidity therefore disease is not much of a problem and apart from the birds there is very little pest pressure. We do have plenty or rabbits in Central Otago, but our vineyard is rabbit netted around the fence line to stop them getting in.

b/N:  “If owning Wooing Tree Vineyard has taught me anything, it’s taught me…”

SF:  It is a lot of hard work, but very rewarding, I love taking the product from the grapes to the bottle and then seeing the consumers enjoying it in the glass, often on the other side of the world. 

 

 For more information:

Physical Address: Opposite the Big Fruit Sculpture, Shortcut Road, Cromwell

Postal Address: c/o 7 Westmoreland Place |  Cromwell, New Zealand  9310

info@wooingtree.co.nz

 Care to share? Leave your comments below.

Cheers!

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Thank you:

Steve Farquarson – Wooing Tree

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Copyrighted 2014. All Rights Reserved.

Need Riesling??

 Welcome to binNotes | a wine blog

by L.M. Archer, FWS

Like wine? Like compelling stories about wine? You’ve landed on the right page!

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Need Riesling?!?

binNotes takes Terroirist Tuesday off-road…just in time for harvest…

Today binNotes breaks her own ban on infomercials for a good cause…

Wine Makers:

Looking for a few tons of luscious, citrus-noted, organically grown Riesling?

Handprint Farms in Prosser, WA. farms Riesling organically, and has a few tons still available.

Hey, it’s my sister’s farm!

Contact:  handprint@charter.net

Cheers!

Care to share? Leave your comments below – and thanks for stopping by.

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Copyrighted 2014. All rights reserved. |  Image courtesy: Handprint Farms

Kiwis & Cowhorns: A Talk about Terroir with NZ Wine Maker Sam Weaver – Churton Wines

Welcome to binNotes: Meet the Winemaker

Like wine? Like compelling stories about wine? You’ve landed on the right page!

Today’s Exclusive:  Sam Weaver – Churton Wines

Marlborough, NZ

by L.M. Archer, FWS

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Ever wonder what those wild Kiwi winemakers do all day? Today, binNotes’ exclusive interview showcases bio-dynamic winemaker Sam Weaver of Churton Wines in New Zealand’s Marlborough region.

binNotes first encountered Sam Weaver at IPNC 2014, where we both attended the Distilling Terroir seminar. Sam had me at ‘biodynamic’ –  a passion of mine. Microbiologist by training, wine seller by trade, Sam eventually segued into biodynamic wine making. Today Sam serves as the talented wine maker for Mount Beautiful Winery in New Zealand while stewarding his own family-owned, organically certified Churton Wines.

So grab a glass of wine and get cozy as binNotes talks terroir with Sam Weaver…

b/N: You started out in rural Britain farming, then as a wine buyer in London. Who or what brought you to wine making, to Marlborough, NZ, and to Churton?

SW: Though I was born in the UK my parents are New Zealanders. I studied microbiology at London University and through a rather circuitous route ended up in the London wine trade. It was great fun and I learned a tremendous amount about wine. I tasted and drank many classic wines from great vintages and bought wines on a commercial basis from small growers in Burgundy, the Loire and the Rhone. All this experience was very influential in my future wine making.  At heart I’m a country boy and after 10 years in the wine trade and central London realized I wanted something different. I travelled to New Zealand to visit my parents and other relatives and was offered a vintage (harvest). In the end (1989) that morphed into an assistant winemaking job in Marlborough. Very early on I knew I wanted to make my own wine but I needed to accumulate enough wine making experience before embarking on that. We eventually established Churton in 1997.

b/N: Tell readers a bit about the history of Churton Wines – what makes it unique?

SW: When we started Churton we did so based on market demand. A UK wine merchant, Tanners Wines in Shropshire, approached me to supply Marlborough Sauvignon Blanc. We created Churton that first vintage for them in 1997. Very quickly we decided that to be serious we needed to do something different to the norm and all the “me to” brands that were appearing. That first wine was made from bought-in (purchased) fruit. We quickly decided we wanted control of our own fruit supply. We eventually found a fantastic site outside what was then considered a good growing area and started planting in 1999. We now have 22.5ha (1 hectare = 2.47 acres) planted on the most wonderful elevated site 200m above sea level. We planted the vineyard to principally Pinot Noir and Sauvignon Blanc with a small amount of Viognier and New Zealand’s first planting of Petit Manseng. As I had had all that European fine wine experience I took a much more European approach to the vineyard. The vines are close planted at nearly 5,000vines/ha. on rolling northeast-facing hillside slopes.

What makes us unique is that now all of our fruit comes from this exceptional site. At a high elevation with clay based soils and close vineyard planting, it produces fantastic fruit. There are now some other hillside vineyards ( 1-2% of the total are in Marlborough) but none, in my view, with the important easterly aspect. We set up the vineyard on the basis of minimal inputs with great care to integrate with the environment and have been running it bio-dynamically for the past 7 years. Biodynamics really is away of helping underline and express this unique place we call Churton.

Our basic premise is to capture the intensity of fruit aroma that are the hallmarks of Marlborough but to take these to another level where subtlety, depth, texture and length are paramount.

b/N: You also consult for Mount Beautiful Winery in North Canterbury, NZ. How does wine making at Mount Beautiful differ from wine making at Churton?

SW:  I guess both feed off each other and are the result of my collective experience, and so have many similarities. The primary difference, of course, is the fruit source and to some extent scale. Mount Beautiful is a great vineyard in its own right. It is a long way further south, so it a somewhat cooler harvest, and usually is about 2 weeks later than Churton. The vineyard is a much larger  – currently 70ha. This scale necessitates a different approach. At Churton, we are biodynamic, so we hand-pick all of our fruit. Within 22.5ha, we have 19 different vineyard blocks. We are very detailed and meticulous. The size of Mount Beautiful means that it’s more difficult to run at that level of detail. Sauvignon Blanc is machine picked and treated a little more conventionally than Churton. The aim with Mount Beautiful is to make wines that are a little different to Marlborough wines but still produce strongly commercial New Zealand wines. At Churton, I simply let the vineyard speak!

b/N:  You’re passionate about biodynamics. Tell readers a little bit about the path that led you to the practice of biodynamic farming in general, and at Churton specifically. What’s the most important thing folks need to know about biodynamic farming, and why it’s worth the investment?

SW:  As I’ve mentioned, I come from a rural background. My feet are firmly entrenched in the soil and in agriculture. I also grew up in a very anti-establishment environment. This led me to question conventional approaches to almost everything! In the 80’s and early 90’s I studied wine very seriously in the UK I even wrote a paper on organic and biodynamic wine production. When I came to establish our vineyard I did it conventionally but with very minimal in put. We did no soil manipulations and simply planted in the old established pasture land. As the vines matured we changed to a completely organic based system. We’d always used elements of biodynamics: planting by the lunar calendar, making compost, etc. Taking the step to use the biodynamic preparations seemed logical. As we became more confident we were able to suspend our disbelief of some of the more unusual techniques and see whether they worked for us. Biodynamics is a journey not a result. The more we practice the more we understand and want to implement different ideas.

What is important to know about biodynamics is that it is not a dogma. Rudolf Steiner made suggestions and we are free to use elements of those suggestions and to evolve them in any way that will suit our farm.

Biodynamics is not a religion. What makes it exciting is that it allows a strongly grounded approach which accepts and makes use of science but at the same time allows for a spiritual involvement with your land and farm.

As a microbiologist, biodynamics really helps focus us on enhancing the farms micro biome, the use of compost, the use of preparation 500 (cow horn manure),  the plant and animal diversity; all this leads to a healthier microbial population. This healthy microbial population means vines have better access to water and nutrients. They have more disease resistance. The grapes that come to the winery have a healthy microbial bloom which means natural ferments are easier.

Biodynamics helps express terroir in all the ways above, but if you need any more evidence, look at Matt Goddard’s research work at Auckland university. He is a microbial ecologist and has studied yeast populations and species across conventional, organic and biodynamic vineyards in New Zealand. He has found that although all the vineyards studied have a wide range of species of yeasts, those that are biodynamic have greater populations and more diversity than any other type of viticulture. What’s more, at Churton we have unique yeasts that are only found here. They are not only found in the vineyard but also in indigenous yeast ferments in our wine.

Now that is really cool. Terroir and wine quality are clearly linked by their microbiology and that is emphasized by biodynamics!

b/N: How does your affinity for Burgundy influence your wines?

SW: Burgundy has always been my go-to wine. As a winemaker, I think that it’s essential to have icons. As you may have realized, I’m an idealist. At Churton we are not trying to create Burgundy, we are trying to make Churton. The two will never be the same. The importance of drinking widely and deeply is to help establish the vision for what you want to create in your own wine. For example one problem I see with many New Zealand pinots is that they are struggling with tannin structure. In Burgundy the tannins are very different – much more savoury and integrated, much more mature. This is a fascinating area and probably for me the real key to making great Pinot Noir. Churton’s tannins are very different to the New Zealand norm, and this is very much as a result of site, soil, water management and of course biodynamics. Recently one of our wines was analyzed for a panel of different tannin markers alongside some other very well known New Zealand pinots our wine stood out as have a very different structure to all the others which was great. As a winemaker I want my tannins to run through the mouth, I don’t want them to be separated spatially. I’m particularly critical of tannins that appear as a separate component and in one particular part of the mouth (e.g., front of mouth.)

I think you will see from the detail in our vineyard layout that Churton is very much about site and how we can maximize each different aspect within the vineyard. This approach leads us to produce fruit with evenness in ripening and mature tannins. As I’ve mentioned we work with our different climat and that attention to detail is what helps give us vins de terroir and that is a very European approach. Celebrating the differences in site rather than trying to make a homogenous whole is really what the Burgundians do well.

 

 

b/N:  Churton is a family affair.  Your son Ben did a recent vintage at Bonny Doon Vineyard in California  - what was that like for him? Your other son, Jack, has worked in Europe. How have these experiences informed their contributions at Churton?

SW:  Ben is currently in France working at another bio-dynamic producer, Chapoutier. He loves exploring different wine producers from the angle of biodynamics. Both Mandy and I actively encourage the boys to get a broad view of the world of wine. Ben came back from Bonny Doon Vineyard saying: “Dad our wines are too fruity we need to be more reductive in our winemaking.” That’s great that they can gain the confidence and ideas from elsewhere. It all contributes to the unique expression of Churton.

b/N: Your wife Mandy sits on the executive of OWNZ (Organic Winegrowers of New Zealand). Does OWNZ foresee a greater investment in organic farming in New Zealand in the future? More stringent requirements? Anything about New Zealand organic farming that may differ from other wine regions in the world?

SW: New Zealand is a fantastic place for organics. In Marlborough we are fortunate to have very little disease pressure so it’s a relatively easy conversion. OWNZ aims for 20% of New Zealand wine producers to be organic by 2020. Currently its slipped a little down from 9% a few years ago to I think 7% (we’ve had a few tough years that have taken some people out). There has been a lot of investment in the organic sector. We’ve just come to the end of a period of research across three viticultural areas looking at organic focus vineyards and comparing management and costs. In New Zealand, we have a scheme of Sustainable wine growing. OWNZ objective is to get Sustainable wine growing to accept organic accreditation and to allow people to move from the lowest entry level through to organic certification status within the one scheme.

 

b/N: Tell readers a little bit about the unique qualities of Marlborough’s terroir in general, and Churton’s in particular, that impact the flavor profiles of the wines produced there.

SW:  I’ve described the vineyard above: a high terrace mostly facing east and north. That east facing aspect is so important. Think of the Grand Crus in Burgundy. They almost all face east. The reason is that east facing slopes get the early morning sun. Morning sun is more beneficial than afternoon sun. Morning sun is cool but allows the vines to photosynthesis and if wet, to dry out quickly. Afternoon sun is hot and will dehydrate the vine and especially grapes as they are close to harvest. Hot afternoon sun will produce higher sugar through this dehydration but will not produce riper tannin. Cooler morning sun helps the vine have slower more even ripening, retains acidity and aroma. Our terroir delivers that, as well as its unique character and interaction between the soil and environment, and its unique microbiology.

b/N:  Do you have a favorite varietal(s)? If so, which one(s), and why? What’s your ‘go-to’ wine from Churton? From Mount Beautiful?

SW:  Churton has to be both Pinot Noir and Sauvignon Blanc – both unique in style to Marlborough and have exceptional texture. Mount Beautiful Riesling is consistently good; the Pinot Noir will follow with more vine age.

b/N:  What are your greatest challenges at Churton? At Mount Beautiful?

SW:   Churton is under-capitalized and as a consequence under-resourced in all sorts of ways, while Mount Beautiful doesn’t have those problems!

However, Mount Beautiful is an isolated vineyard a long way from other vineyards, so it’s difficult to get support. The Mount Beautiful vineyard is also a little frost prone, while Churton isn’t.

b/N:  Finally, “If wine making has taught me anything, it’s taught me…”

SW:   Treat the vineyard well with love and you can trust the fruit in your winemaking.

 For more information:

Churton Wines | 941 Waihopai Valley Road, R D 6 Blenheim 7276, New Zealand | info@churtonwines.co.nz

 Care to share? Leave your comments below.

Cheers!

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Thank you:

Sam Weaver & Family – Churton Wines

Mt. Beautiful Winery

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Copyrighted 2014. All Rights Reserved. All Images  of Churton Wines courtesy Churton Wines. Image of Mt. Beautiful Winery courtesy Mt. Beautiful Winery.

Willamette Valley Wine Pinot in the City

 Welcome to binNotes | a wine blog

by L.M. Archer, FWS

Like wine? Like witty, compelling stories about wine? You’ve landed on the right page.

Laugh a little – learn a lot!

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Forget ‘Sex in the City’…give this girl Pinot in the City any day! Manolo Blahniks? Je préfère sixty-six premium pinot wine makers from Oregon’s Willamette Valley plying their pours at Seattle’s hip Urban Feast, please!

Pinot in the City  blends Willamette Valley Wine pioneers and hard-to-find upstarts, new releases and old standbys, Pinot and Pinot Gris, plus some tasty Chardonnay and Riesling…and more than a few under-the-radar finds.

In other words, premium wine lovers, this is your kinda show…

From a personal standpoint, Pinot in the City allowed me the opportunity to re-connect with wine makers like Byron Dooley of Seven of Hearts and Luminous Hills, whose wines, and wife Dana’s chocolates,  I’ve long admired.

binNotes Fave: Leave a comment below if you want info on my fave small-production, off-the-tasting-notes wines from this wine maker…Hint: You can’t go wrong with any of Byron’s wines. He has a broad and deft palette.

I also got to meet some wine makers whose wines I knew, but whom I hadn’t met personally – like the graceful, gutsy Cathy Redman of Redman Vineyard and Winery. Cathy founded Redman Vineyard and Winery in 2004 with her beloved husband Bill, only to witness his unexpected passing in 2009 from cancer. The Willamette Valley community, in true form, joined together to assist her in continuing Bill’s legacy today.

binNotes Fave: Redman Vineyard and Winery 2010 Ribbon Ridge Pinot Noir stands out, with its balanced, distinct cranberry/rhubarb/red fruit goodness.

Another treat included meeting dynamo Maria Stuart of R. Stuart & Co. Winery. I first experienced Maria’s wines, and one-of-a-kind graphics, at the 2012 Wine Blogger’s Conference in Portland.

binNotes Fave: R. Stuart & Co. 2011 Willamette Valley Vignette Pinot Noir proves light on the palate – an easy food-pairing wine.

Of course, no self-respecting left-hander can pass up a pour by Left Coast Cellars family owners Suzanne Larson and her soon-to-be daughter-in-law, Christina Aragon. Try their trademark Left Coast Cellars 2012 Cali’s Cuvée Pinot Noir – it’s an easily accessible mid-range wine.

Pinot in the City also introduced me to some producers with whom I wasn’t familiar.

Iota Cellars wines exceeded all expectations set by a recent Snooth article I’d read prior to attending Pinot in the City. Owner Lynne Pelos and owner/winemaker Johanna Sandberg combine old world sensibilities with new world techniques to produce wines of exceptional balance and poise.

The Iota Cellars 2013 Phyllis Rosé of Pinot Noir from Eola-Amity Hills incorporates 1/2  saignée and 1/2 direct press methods aged 5 mos. in neutral oak to produce a lovely, salmon-hued wine. It’s the closest thing to a true Provençal rosé I’ve experienced this side of the Mediterranean – worth drinking any time of the year.

Under off-the-hook, look for Harper Voit‘s wines, including Harper Voit Cellars 2013 Willamette Valley Surlie Pinot Blanc, a taut, crisp rendition aged in 100% neutral oak 7 months on the lees.

H-Vs Andrew Bandy-Smith (a familiar face from IPNC 2014) treated guests to an etherial Antiquum Farms Pinot Noir not listed on the tasting notes. A wine of power, finesse, and structure indeed.

Grochau Cellars owner/winemaker John Grochau shared his singularly stellar, dry expression of Pinot Blanc, the Grochau Cellars 2013 Pinot Blanc, produced 6 mos. surlie in 70% neutral oak and 30% stainless steel. He also shared his small production ‘off-the-tasting-list’ GC 2013 Melon de Bourgogne - a discrete stunner produced in 100% neutral oak…such a wonderful, rare treat.

Under ‘you-had-me-at-Pinot,’ try Grochau Cellars 2011 Eola-Amity Hills Bjornson Vineyard Pinot Noir. This wine captures a lovely floral component reminiscent of some wines of Burgundy.

Great to meet and greet other wine makers I’ve profiled, like Wayne Bailey of Youngberg Hill and Jacques Tardy of Torii Mor Wines, familiar face Ron Lachini of Lachini Vineyards, as well as some unfamiliar faces like Jessica Mozeico-Blair of Et Fille Wines, André Hueston Mack of Mouton Noir Wines, and Alfredo Apolloni and Laura Gordon of Apolloni Vineyards.

I regret those wine makers I missed at Pinot in the City, but the event whet my appetite for more of the Willamette Valley – only a five-hour drive away from Seattle.

NOTE: For those of you lucky enough to attend the 2015 Pinot in the City wine event next year in NYC, allow at least two hours! binNotes barely made it through 1/2 the tables in an hour. Cheers!

Postscript:

Many thanks to Quinton Jay at Panther Creek for forwarding me  tasting notes on the Panther Creek wines binNotes sampled at Pinot in the City which inadvertently didn’t make the original posting!
Panther Creek ‘Winemaker’s Cuvee’ Pinot Noir – Willamette Valley 2011
Panther Creek ‘Shea Vineyard’ Pinot Noir, Willamette Valley 2009
binNotes Fave : 90% neutral oak – Garnet hue, light body, balanced black fruit, spice, pear. 
Panther Creek ‘Reserve’ Pinot Noir, Willamette Valley 2009
Panther Creek Pinot Gris, Willamette Valley 2013
(not tasted but distributed in WA through Grape Expectations.)

Want to learn more about Willamette Valley Wines or Pinot in the City? www.willamettewines.com.

Cheers!

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Thank you:

Emily Petterson, EKP Media

Willamette Valley Wines

Copyrighted 2014. All rights reserved. 

WITIB? Pinot in the City!

 Welcome to binNotes | a wine blog

by L.M. Archer, FWS

Get ready for Pinot in the City!

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Pinot in the City arrives in Seattle September 11, 2014.

Pinot in the City | Seattle | September 11th 2014

Hey, Pinot Lovers!!

Back by Popular Demand:

Pinot in the City Road Show Hits Seattle!

Save yourself the hassle of a 5 hour drive to the Willamette Valley…

When: September 11, 2014. Trade event: 12-4 PM, Consumer event: 6-9 PM

Where: Sodo Park, 3200 1st Ave S. Seattle, WA 98134

What:

Pinot in the City brings together a blend of  Willamette Valley Wine pioneers and hard-to-find upstarts, new releases and old standbys, Pinot and Pinot Gris, plus some tasty Chardonnay and Riesling.

Come meet and greet the wine makers & taste their wines!

Tickets: $65 purchase online  here.

Note:

Don’t delay purchasing your tickets!

This event has sold out in all venues nationwide – from San Francisco to Chicago to New York City…

Need more info? www.willamettewines.com.

Cheers!

⚜⚜⚜

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Copyrighted 2012-2014. All rights reserved. |  Image courtesy: Willamette Wines